midicnMusic History 中文

Xihe Dagu

Xihe dagu comes from Hejian in Hebei, moving through slow, middle and fast boards with sanxian, sihu and brass clappers

Time and place

Xihe dagu belongs to Hebei, Beijing, Tianjin and northern Shandong. Under the Daoguang and Xianfeng reigns the wooden-board drum song of the Hejian area merged with stringed-book singing into this long-form narrative art, first called Meihua diao, liye pians or Hejian dagu, and named xihe dagu in Tianjin in the 1920s.

What happened

It began as village wooden-board drum song, one performer beating drum and clapper while telling a book; sanxian and sihu were added and the singing split into slow and fast. Performers followed the Ziya River into Tianjin, held teahouses and storytelling halls, and carried the repertory to the northeast and Shandong. Traditional books include the Yang, Hu and Xue families, the Bandit Chronicles and Lord Shi's Cases; short pieces tell household stories such as Wang Erjie sifu, Hong Yue'e zuo meng and Shuai jingjia.

Musical features

The singing is banqiang. Tou ban is slow, one beat and three eyes, made for unfolding; er ban moves at middle speed, one beat and one eye; san ban is fast, words stacked like rain, closing a scene. Sanxian and sihu follow, the sanxian plucking the skeleton, the sihu drawing long notes, while the singer strikes book drum and brass clappers, the clappers cut from plough shares, crisp and landing on the beat. Lines run seven or ten characters on the thirteen rhymes in Hebei dialect, shifting between narration and character speech at will.

What to listen for

Begin with Hebei Wang Erjie sifu, a long wife-waiting piece that shows slow-board craft; hear a line stretched without breaking. Then Hong Yue'e zuo meng, noting how one voice divides into several. Shuai jingjia has a quarrel, so follow how san ban hurries the scene. All three are folk songs, not recordings by xihe dagu artists.

Common misunderstandings

The name leads people to place xihe in Shanxi or Shaanxi. Xihe refers to the Ziya River as Tianjin people saw it, and the artists came largely from Hejian in Hebei; it shares the drum-song family with jingyun dagu but differs in boards, speech and lead instrument, and is not only martial tales.

Listen in the library

王二姐思夫C32:39河北《王二姐思夫》,旦角思夫的长段,听慢板的铺陈与垛句;C3 民歌,C1 无西河大鼓录音Details红月娥做梦(一)C32:28河北《红月娥做梦(一)》,叙事小段,听一人多角的语气转换;C3 民歌,C1 无西河大鼓录音Details摔镜架C31:26河北《摔镜架》,家庭故事的段子,听争吵场面的快板;C3 民歌,C1 无西河大鼓录音Details

All tracks from midicn-lib — inline badge is the license tier (C1 commercial / C2 non-commercial / C3 study only).

Sources

  • 《中国音乐词典》编辑部编,中国音乐词典(人民音乐出版社)— 曲种与板式条目核对,未引用
  • 《中国曲艺音乐集成》编辑委员会编,中国曲艺音乐集成(中国 ISBN 中心)— 唱腔与伴奏核对,未引用

Used for fact-checking only; all prose is original.