midicnMusic History 中文

New Orleans Jazz

In early twentieth-century New Orleans, horns improvised together over a two-beat pulse from parades and dance halls.

New Orleans jazz took shape in the Louisiana port city around 1900. Parade, funeral, dance hall and saloon bands shared the same players, who placed cornet, clarinet and trombone at the front and let three horns speak at once.

Origins and era

Congo Square drums, military marches, ragtime and blues met here. In the 1890s and 1900s cornetists such as Buddy Bolden carried blues phrases into the dance halls. In 1917 the Original Dixieland Jass Band made one of the first jazz records in New York; Storyville closed the same year and musicians moved up the Mississippi to Chicago.

What you hear

The front line divides into layers. Cornet or trumpet states the tune and decorates it, clarinet circles above, trombone answers with slides and low notes. The rhythm section of banjo, piano, bass or tuba and drums stresses two beats, with the second and fourth pushed. Tunes are usually twelve-bar blues or thirty-two-bar popular songs, with breaks and a closing ensemble.

Key figures

Buddy Bolden left no recordings but is often named as the first great cornet lead. Joe King Oliver took his band to Chicago, and Louis Armstrong made the solo the centre of the Hot Five records. Sidney Bechet's clarinet and Jelly Roll Morton's piano and compositions matter just as much.

Lineage

Brass bands, ragtime and blues feed in; Chicago jazz, Dixieland and the swing big bands come out. Its collective improvisation was later written into tighter arrangements.

Common misunderstandings

Jazz did not begin in 1917; black bands had played for years without entering a studio. New Orleans jazz is not always collective, since solos and ensembles alternate. Equating it with Dixieland misses earlier neighbourhood roots.

Listen in the library

dixielandC11:041918 年原版迪西兰爵士乐队的曲子,钢琴改编谱,能听两拍与切分的骨架;曲库无乐队实录DetailsRoyal Garden BluesC12:40《Royal Garden Blues》布鲁斯乐句与问答式段落,早期乐队常演;此条为钢琴谱DetailsTiger RagC11:46《Tiger Rag》短动机层层叠加,听各段如何轮流领奏;此条为钢琴改编DetailsSt. Louis BluesC12:24《St. Louis Blues》把布鲁斯与流行歌曲结构接在一起,早期乐队常演;此条为钢琴谱Details

All tracks from midicn-lib — inline badge is the license tier (C1 commercial / C2 non-commercial / C3 study only).

Sources

  • Ted Gioia, The History of Jazz(Oxford University Press, 3rd ed., 2021),用于核对新奥尔良年代与人物
  • The New Grove Dictionary of Music and Musicians, 2nd ed., entry New Orleans,用于交叉核对乐队与录音

Used for fact-checking only; all prose is original.