midicnMusic History 中文

Errentai

Errentai spans northern Shaanxi, northern Shanxi and western Inner Mongolia, its flute and sihu carrying Zou Xikou

Time and place

Errentai belongs to Yulin and Fugu in northern Shaanxi, Hequ and Baode in northern Shanxi, and Hohhot and Baotou in western Inner Mongolia. Under the Tongzhi and Guangxu reigns local seated song gained yangge movement and became a costumed small play. The Zhangjiakou strand is called the eastern road, the Baotou strand the western.

What happened

It began as dazuo qiang, a few singers seated around mei flute, sihu and yangqin, performing long narratives such as Zou Xikou. Whip, fan, handkerchief and simple movement followed, with a clown and a maiden singing and dancing in turn. Zou Xikou tells of a man leaving for the frontier in a famine year and parting from his wife, a direct record of migration in the region; Da Yingtao, Gua Hongdeng and Wu Ge Fangyang are teasing and festive pieces.

Musical features

The singing is qupai form, one tune fixed to one piece rather than varied by ban. Melodies are largely pentatonic with wide swings; high notes are flipped into falsetto, low notes planted firmly, making a high-open, low-settle contrast. The mei, a transverse flute, leads, with sihu, yangqin and four-tile clappers for a light band. Words are in Jin-Shaan dialect, full of filler syllables, phrases often ending in flung-out cries.

What to listen for

Begin with Shaanxi Zou Xikou, hearing how four-line stanzas push the story and where the lament falls. Da Yingtao is light, with the maiden's phrase ends flicking upward. Gua Hongdeng is festive, all high openings and heavy accents. Wu Ge Fangyang shows the same tune stretching between narrative and lyric. These are folk songs, not stage recordings.

Common misunderstandings

Errentai is often mistaken for another name for errenzhuan, or for mere antiphonal folk song. It has role types, movement and complete small plays, singing a set of tunes from the Shaanxi-Shanxi-Inner Mongolia border; errenzhuan belongs to the northeast with different tunes and speech. It is also not the Mongolian manhan diao.

Listen in the library

走西口(一)C30:10陕西《走西口(一)》,二人台代表曲目,听四句一段的叙事与悲腔;C3 民歌,C1 无二人台录音Details打樱桃C30:19陕西《打樱桃》,二人台常演小戏,听旦角的轻快句法与衬词;C3 民歌,C1 无二人台录音Details挂红灯(一)C30:39陕西《挂红灯(一)》,节庆小戏,听高音起句与锣鼓式的重音;C3 民歌,C1 无二人台录音Details五哥放羊(一)C30:12陕西《五哥放羊(一)》,同名曲牌,听上下句的对称与甩腔;C3 民歌,C1 无二人台录音Details

All tracks from midicn-lib — inline badge is the license tier (C1 commercial / C2 non-commercial / C3 study only).

Sources

  • 《中国音乐词典》编辑部编,中国音乐词典(人民音乐出版社)— 曲目与流行地核对,未引用
  • 《中国戏曲音乐集成》编辑委员会编,中国戏曲音乐集成(中国 ISBN 中心)— 唱腔与伴奏核对,未引用

Used for fact-checking only; all prose is original.