Braille Music Notation
In 1829 Louis Braille turned music into raised dots, so blind musicians could read scores unaided.
Related
Time and place
Paris, 1829. Louis Braille, twenty, published a method for writing words, music and plainchant in raised dots at the Royal Institute for Blind Youth.
What happened
Blind from three, Braille learned raised letters at the institute, but a page held only a few lines. He packed each character into six dots in a two-by-three cell, giving sixty-four combinations. Music used the same cells. Dot position gave pitch; the number and arrangement of dots gave duration, accidentals and octave. Fingers sweep one line, then the next, and polyphony is written part by part or hand by hand.
What changed
Blind musicians could read without a reader. The Paris institute became a centre for braille music. National codes multiplied, an international agreement emerged, and the standard was revised in 1997.
Listen to the turn
Bach's chorale prelude on Wer nur den lieben Gott lässt walten is clear in four parts; Walther's prelude on Lobe den Herrn uses a chorale tune as its frame; Come, Come, Ye Saints is a four-part hymn with even spacing. Braille music writes such textures part by part.
Related
The thread belongs to Romantic; see the Organ and the Piano.
Listen in the library
All tracks from midicn-lib — inline badge is the license tier (C1 commercial / C2 non-commercial / C3 study only).
Sources
- Grove Music Online, entry "Braille notation"(Oxford University Press),用于核对 1829 年巴黎印本与符号结构
- Bettye Krolick, How to Read Braille Music(Opus Technologies, 1998),用于核对读谱顺序与记写规则
Used for fact-checking only; all prose is original.